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Bai Xianyong
Bai Xianyong
Bai Xianyong
台灣文學史上第一本完整記錄《現代文學》雜誌創刊、休刊、復刊、停刊、重刊的故事與因緣38位作家娓娓道出各自與雜誌之間的因緣互動 增收1959年白先勇致夏濟安信件 及從未公開發表的夏濟安〈祝辭〉專文等10篇文章 由行政院文化獎得獎人董陽孜女士題寫書名 經典重現,為時代做一註解。 現在沒有什麼「派」什麼「體」可供模仿,只好憑自己的本事來摸索,來創造了。你們也許會成一個什麼「派」,創一種什麼「體」.
Bai Xianyong
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Bai Xianyong
本書是白先勇的作品精選集。書中精心選編了他各個創作時期的代表作,其中包括短篇小說《玉卿嫂》、《寂寞的十七歲》、《永遠的尹雪艷》等,散文、隨筆多篇,並收入其最新作品danny boy, tea for two等;可謂全面呈現了其創作生命的完整歷程。而綜觀全書,既可從虛構的小說作品中細細品味其高超的創作技巧與其在文字上“苦吟”修成的正果,亦可從散文、隨筆作品的字裡行間窺得他有血有肉、坦坦蕩蕩的真實生活一面──其創作生命的源泉。.
Bai Xianyong
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Dans le taipei d'après-guerre, refuge des exilés de chine populaire, une époque est sur le point de s'éteindre.
Bai Xianyong
Bai Xianyong
Widely acclaimed as a classic of contemporary fiction in chinese, taipei people has been frequently compared to james joyce's dubliners.
Bai Xianyong
法國書評家雨果‧馬爾桑 (hugo marsan)於法國第一大報《世界報》評介白先勇的《孽子》,讚譽這部小說是一齣「將悲情研成金粉的歌劇」。 馬爾桑以「令人震驚」形容《孽子》,它有傳奇故事的緊張、強烈,卻無強加的樂觀結局。《孽子》的魅力並不單在動人的情節,《孽子》的成功,其威力更多是來自作者的文筆,豐富而又令人不安,像上漲的江河那樣;他詩意地把真實的氛圍記錄下來,又以黑夜如夢一般的面紗使它改觀。 馬爾桑認為白先勇描繪的是一個邊緣世界,在被接納的邊緣之內的.
Bai Xianyong
Bai Xianyong
Bai Xianyong
Bai Xianyong
Bai Xianyong
Widely acclaimed as a classic of contemporary fiction in chinese, taipei people has been frequently compared to james joyce's dubliners.
Bai Xianyong
Bai Xianyong
Bai Xianyong
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Bai Xianyong
Bai Xianyong
法國書評家雨果‧馬爾桑 (hugo marsan)於法國第一大報《世界報》評介白先勇的《孽子》,讚譽這部小說是一齣「將悲情研成金粉的歌劇」。 馬爾桑以「令人震驚」形容《孽子》,它有傳奇故事的緊張、強烈,卻無強加的樂觀結局。《孽子》的魅力並不單在動人的情節,《孽子》的成功,其威力更多是來自作者的文筆,豐富而又令人不安,像上漲的江河那樣;他詩意地把真實的氛圍記錄下來,又以黑夜如夢一般的面紗使它改觀。 馬爾桑認為白先勇描繪的是一個邊緣世界,在被接納的邊緣之內的.
Bai Xianyong
Bai Xianyong
二千年重印的版本中,此書附上歐陽子的〈白先勇的小說世界〉和余秋雨〈世紀性的文化鄉愁〉,加以封面褶頁內標示的本書在經典選書的獲選記錄,一切都只為了說明這本《台北人》的經典性。儘管從初版(1983)到今日已經快二十年,但對於此書的討論與閱讀卻不因時空而失去意義。對於白先勇的《台北人》,劉再復曾說:「當大陸出現謳歌文學時,台灣卻出現了輓歌文學」,並高度評價白先勇在文學中藉由人物來記憶時代的技巧。〈永遠的尹雪豔〉中永遠高貴、飄忽、不老的社交名女尹雪豔,〈金大般的最後一夜〉中低級、世故、卻擁有著純潔動人回憶的舞女金.
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Bai Xianyong
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